Book Review

Reading the Song of Roland

I picked up a copy of the French epic poem "The Song of Roland" to use as research for a project I was working on. Since I had the book, I figured I might as well read the whole poem (in English translation, though the book also has the French original). As someone who loves Renaissance Faires and finds Medieval history fascinating, I thought it sounded interesting and would perhaps give me some insights into the Medieval world. What I did not expect was how much insight it gave me into the modern world.

The Song of Roland is beautifully written, full of action and interesting characters. Yet it thoroughly reflects a set of values so ancient and foreign that it took me by surprise. For example, its depictions of masculinity. Throughout the poem, men, including and even especially manly, idealized men, show the type of intense emotions that modern men are supposed to forgo. Charlemagne, the wise, great emperor, one of the greatest Christian knights, falls to the ground in a faint and openly weeps when he sees how his most gallant knights have been betrayed and slain. Indeed, all the poem's heroes, including Roland and his noble companion Oliver, weep and mourn in a way that modern society too often frowns upon. Clearly, Medieval warriors did not believe that "boys don't cry."


The strong contrast between men's expected behavior today with the Medieval ideals shows just how unnatural the modern "stoic" ideal is. In the past, men were expected and encouraged to show strong emotions, including crying and mourning.

Find the Song of Roland on Amazon!

Find the Song of Roland on Amazon!


The poem seems strangely modern in other ways. The enemies that Roland and Charlemagne face are Muslims, though they're called pagans in the poem and shown worshiping a variety of gods, from Apollo to the made-up god Termagent. What's even stranger, the original battle that inspired "The Song of Roland" wasn't against Muslims at all, but against Christian Basques in the Pyrenees. The choice of Muslims as the enemy, despite its historical inaccuracy, and the complete lack of understanding of their religion, is all to common of the ignorance people express towards other religions even today. At least the poem depicts the Muslims as brave warriors and noble knights, despite their lack of the "true" faith. Still, it's easy to see how this poem reflects the deep roots of Islamophobia in Western culture.

I'd recommend this poem to anyone interested in understanding the perspectives and worldview of Medieval France. Its gripping depictions of brutal combat and the idealized versions of feudal life make it a compelling read, though there are long sections of descriptions that can get a bit tiring.

My Reviews of Anne Leckie's Ancillary Justice and Ancillary Sword

I read the opening chapter of Ancillary Justice (Imperial Radch)in the Nebula Awards Showcase 2015, and I'd heard a bit about it before that. Since I hadn't read a science fiction novel in a while, and I'm always looking for new authors to read, I decided to give it a try.

It took me a little bit to get into this book. The first couple of chapters were a bit disorienting, since Breq/Justice of Toren's experience of the world is so different from our own, and the politics of the Radch Empire seemed opaque. But as I delved into the story, it really gripped me. It's epic and heart-breaking and mind-blowing like only the best scifi can achieve. I expected the book to be mostly about the world and Breq's unique perspective, but Leckie's story-telling is masterful, and the characters she creates deeply human and touchingly flawed, even when they're AIs.

Leckie does an amazing job of portraying Radchaai as often well-intentioned, even if their entire way of life seems monstrous to us. It's easy to see how seductive their vision of the universe is, and how much it could blind people to the terrible evils they've committed to achieve it. Even the villain is deeply conflicted, suffering from a regret that may be driving her to madness. What's more, the author gives us tantalizing hints at the wider universe, and the deep danger that may or may not be gathering to assault the Radch.

I loved this book, and I'd recommend it to anyone who likes science fiction. It's a true demonstration of how powerful speculative fiction can be.

I read Leckie's Ancillary Justice (Imperial Radch), and I loved it so much I couldn't wait to get my hands on the next book in the series, Ancillary Sword (Imperial Radch). While I can't say that Ancillary Sword had the same driving energy and intense plot as Ancillary Justice, I loved Breq's interactions with her ship and crew, as well as the deeper look the author gives us at the rich world she's built. The brief glimpses Leckie shows us of the world outside the Radch, especially the alien Presger, give the reader enticing hints about the deep conflict that looms over all of human civilization.

However, I can see why this book was less satisfying to some fans than the original. Unlike the previous book, Breq's goals and actions in this book feel smaller, more provincial, and perhaps more indirect and frustrating. Yet, given Radchaai philosophy about how small, even seemingly insignificant actions can have a profound effect on the universe, it felt appropriate to Breq's character that she would seek out one of the few people in the universe who has personal meaning to her. What's more, Breq's encounter with the Presger ambassador felt like an important moment, even if its meaning won't be understand until later.

I did miss some of the characters from the first book--Seivarden could have had a larger role certainly, and even the loathsome Anaander Mianaai. Yet I did enjoy the new characters she introduces, including Lieutenant Tisarwat, one of the only humans who can understand what Breq's isolation.

Overall, I enjoyed this book enough to recommend it, especially to fans of the series. It is not a stand alone though, so make sure you read Ancillary Justice first. I've already ordered the last book in the series, Ancillary Mercy (Imperial Radch), off of Amazon, and I can't wait to read it.

Book Review: Sunwielder by D. Wallace Peach

After I read D. Wallace Peach’s epic time travel fantasy, Sunwielder, I liked the book so much I actually recommended it to my friend and fellow writer, Sarah Mensinga. Knowing that indie authors love and need reviews, we both tried to post reviews on Amazon. Alas, the vagaries of the great God of ‘Zon struck. Because long ago I had let Sarah and her husband use my Amazon prime account for some purchases, the great ‘Zon thought that our reviews came from the closely related or the same accounts and took them both down. Disaster! Well, I thought I’d try to make it up to D. Wallace Peach and spread the word about her excellent and highly recommended book by posting both Sarah’s and my reviews on my blog instead (you can also find both reviews on Goodreads).


Sarah Mensinga’s Review of Sunwielder

I’d heard great things about D. Wallace Peach’s Sunwielder from a friend of mine, and it did not disappoint. The gritty time-travel fantasy book follows a humble farmer, Gryff, who is given the opportunity to repeat pivotal moments in his life so that he can make different, ideally better, choices.

The writing in Sunwielder is excellent, the world-building vast and complex, the characters easy to empathize with, and the plot a solidly woven, intricate knot of a story. I can only imagine that it was dizzying to keep track of what each character would remember at particular moments, but because D. Wallace Peach keeps all her plates spinning so expertly, it was never a confusing read.

I sometimes found the war scenes difficult to get through, but I suppose war is brutal and horrible. It was probably the right choice for Sunwielder to embrace those battles because combat profoundly changes Gryff and the world around him. It’s also clear that D. Wallace Peach did extensive research for the battle scenes, and that authenticity helps ground her story and the world it takes place in.

I love stories that take a single magical aspect and explore it thoroughly, so I found this book really enjoyable. I highly recommend it.

The beautiful cover design for D. Wallace Peach’s Sunwielder

The beautiful cover design for D. Wallace Peach’s Sunwielder

My Review of Sunwielder


I really enjoyed this book. The author, D. Wallace Peach, creates an absolutely fascinating world and a very interesting main character. Once I got into it, I really wanted to find out what happened.

The sunwield is a bronze medallion that allows Gryff Worden to go back in time to pivotal moments in his life, to make new choices and find a better path. He starts his journey after his family is murdered, but in seeking to protect them from such a horrible fate, Gryff goes on an epic journey, becoming an entirely different man in the process, and radically changing not only his own life, but the lives of all the people around him.

Some things I really loved: the vivid characters, including Gryff and his friends. The different cultures, including the Edriisans, who believe that time is never a straight line, but that all choices are branching and woven threads that exist at all times. And while some reviewers didn't like having Gryff relive some parts of his life over again, I found it intriguing to see how all his choices played out.

If I had a criticism, I'd say that some of the battle scenes are a bit too long and complex, and sometimes it was hard to keep track of minor character's names. However, I think many fans of epic fantasy aren't bothered by battle scenes, so that might not bother many people.

Overall, I'd highly recommend this book to fans of epic fantasy and time travel fiction. It's a fascinating depiction of the way our choices can have such a profound impact on the world around us, even seemingly small choices.

Thank you for reading, and if you are interested in picking up an indie fantasy, check out D. Wallace Peach’s Sunwielder!

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Book Reviews: Wishes and Sorrows and The Best of Kate Elliot

Wishes and Sorrows is a collection of fantasy short stories by Cindy Lynn Speer. Like Black Swan, White Raven, many of the stories are retellings of fairy tales, although some are original. Many of the stories in Wishes are dark and complicated, revealing the downside of magical gifts.

On the whole, I enjoyed most of these stories, though I felt it would have been nice to mix up the tone of the stories a bit--most are quite dark, and a few light-hearted stories would have been a welcome change of pace. Still, many of the stories were delightfully creepy. I particularly enjoyed "The Train," which is a haunting and creepy retelling of Frankenstein. The "doctor" of that story is one of the most unsettling villains I've read in quite a while, especially considering the suggestion that the main character had escaped him before. Likewise, "Every Word I Speak" perfectly captured the downside of a fairy's ill-planned gift. Its harrowing premise is that the "gift" makes it impossible to tell who really cares for the main character, and who just wants riches.

Another excellent story, "But Can You Let Him Go?" travels through multiple versions of the Cinderella story, told from the point of view of Cinderella's fairy godmother. The fairy is trying to atone for her part in keeping Cinderella and her prince apart, but each story ends in tragedy until she can figure out how to set all of them free.

Overall, I'd recommend this book to anyone who loves fantasy short stories or fairy tale retellings. Some of the stories, like "The Train," are excellent science fiction as well.

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The Very Best of Kate Elliott is a collection of science fiction and fantasy short stories as well as a handful of Elliot's essays on writing, fantasy, and having compassion. Many of the stories in this book are haunting and tense, with deeply evocative characters. "The Gates of Joriun" is one of the most taut, suspenseful fantasy stories I've read, and it's ambiguous ending leaves the reader yearning for more. Likewise, "A Memory of Peace" is a harrowing tale of growing up in the midst of a brutal war. Yet, Elliot's collection contains a wide variety of genres, settings, and tones, and several stories are lighthearted, even funny. "My Voice Is in my Sword" is breezy science fiction romp that takes place among a company of actors sent to perform "Macbeth" for an alien audience. Elliot creates the most odious narcissist I've ever read, then gives him a well-earned comeuppance.

In stories like "Leaf and Branch and Grass and Vine," Elliot skirts the line between tense drama and deeply ironic comedy. What else to say about a story where the main character, Anna, survives a treacherous ordeal because her enemies are so used to ignoring poor, middle-aged women that she can pass right by them unnoticed? The author turns the invisibility that society inflicts on older women and turns it into a powerful weapon.

A few stories fall short. "With God to Guard Her" seems like Elliot is trying to write a modern update on typical Medieval "virtuous female saint" stories. While I appreciate what she's trying to accomplish, the story doesn't quite work--It feels too methodical and predictable. I found the story "Sunseeker" a bit tedious as well.

But I enjoyed reading most of Elliot's stories, and the four essays were a treat as well. Her essay "The Omniscient Breast" was a funny take on a pervasive problem that too many writers and readers don't think about until it's pointed out to them. As a writer myself, I hope to stay aware of the male gaze and its effect on my writing. "And Pharaoh's Heart Hardened" is a heart-felt essay on the importance of treating people with kindness and compassion, especially people who've been oppressed. It's an important reminder that oppression like racism and sexism happen because people dehumanize others and harden their hearts against other people's suffering.

This is a book I'd recommend to anyone interested in a fresh take on science fiction or fantasy, and if you're a writer yourself, don't skip the essays!

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Reading Science Fiction and Fantasy Magazines

The Magazine of Fantasy and Science Fiction Nov/Dec 2015

The Magazine of Fantasy and Science Fiction Nov/Dec 2015

If you’re interested in reading science fiction or fantasy, there are some great magazines with plenty of excellent short stories. As a writer, I’ve often submitted stories to magazines like these, and if you’re interested in submitting stories as well, its a good idea to read a few of them to see what the editors there like. I decided to start with the Magazine of Fantasy and Science Fiction for several reasons. First, it's well-established--it's been around since 1949, and over the years it's had plenty of short stories nominated for prestigious awards, including the Nebula and the Hugo awards. Second, and perhaps equally important, I've found them to be a great magazine for writers. The submission process is easy, and I get a very quick response from their editor, C.C. Finlay. Though I've not yet had a story accepted there, Mr. Finlay has always offered me a short critique of the rejected story, as well as encouragement to send more. That's helped me keep going even when I've gotten tons of rejections.

I found F&SF at my local bookstore, though it's also easy to buy on their website and on Amazon, and you can often find tons of old issues at used bookstores. Considering the prices of most books (and it's pretty much the length of a short book), it's very affordable. I started with the 2015 Nov/Dec issue, and I was very impressed with the overall quality of the stories. My favorite ones were "Dreampet" and the novelette "Tomorrow is a Lovely Day." "Dreampet" begins like a fairy tale of the future, where pets are genetically customized. Kittens stay kittens forever, and they grow pink and purple fur with a child's name written in it. The narrator works for the Dreampet company, and he appears deeply enthusiastic about his products, having given Dreampets to each member of his family. Yet, his family's indifference and neglect of their splendid pets introduces a creepy, discomfiting note to the story that builds to a disturbing conclusion.

"Tomorrow is a Lovely Day" is a hard to describe--it's the story of a man stuck reliving a terrible day over and over, stuck in a nightmare that he hates. As the story unfolds, he slides deeper into the horror of his situation. Can he figure out a machine's mysterious last riddle, or will he be doomed to relive the same bitter moments again and again?

I enjoyed many of the other stories in the magazine as well, including the tragic and haunting "Gypsy" and the thoughtful meditation on war in "Thirteen Mercies." The only one that didn't work for me was the first story, "The Winter Wraith." While the story was atmospheric, it lacked a strong climax, and the ending felt too ambiguous. The other story with a subtle, ambiguous ending, "Cleanout," had a stronger emotional core and more interesting characters. F&SF has non-fiction articles as well, including book and movie reviews, and these were interesting and turned me on to books and movies I'd like to check out.

Fantasy & Science Fiction Magazine, Jan/Feb 2016

Fantasy & Science Fiction Magazine, Jan/Feb 2016

Since I enjoyed reading the 2015 Nov/Dec issue so much, I decided to get the issue from Jan/Feb 2016 as well. Like the previous issue, the Jan/Feb magazine contained plenty of brilliant and engaging stories, each as different in tone as the authors themselves. The issue is themed around the planet Mars, and the first three stories are set there, yet each of them has such a unique vision of the planet it hardly seems to be the same place each time. Gregory Benford's "Vortex," which opens the 'zine, is my favorite of these. The author's conception of the Marsmat, a completely alien, possibly intelligent life-form, intrigued me completely. On the other hand, Mary Robinette Kowal's "Rockets Red," also set on Mars, is a sweet, heart-warming tale of community and teamwork. The last Mars tale, Alex Irvine's "Number Nine Moon," is more of a survival story set during the evacuation of the first and last human colony on the red planet.

The rest of the stories in the magazine were quite good as well, with a few that stand out as exceptional. Albert Cowdry's haunting and creepy tale "The Visionaries" stayed with me more than some of the others. If the first couple of paragraphs didn't initially grab me, Cowdry certainly built up tension from there, until the final horrifying reveal. What's more, his characters are lovable and fascinating, down-to-earth Jim and sensitive Morrie playing off each other in great ways. Their gentle conflict, as well as Cowdry's subtle references to current political events, make the story feel real, which deepens its frightening, unsettling finale. Likewise, E. Lily Yu's "Braid of Days and Wake of Nights" alternates between brutal reality and a surreal, lovely vision of an alternative world. Its ending was as ambiguous as it was heart-rending. I loved it so much!

Overall, I'd highly recommend The Magazine of Fantasy and Science Fiction to anyone who loves, well, fantasy and science fiction. I've enjoyed the stories in it so much I'm considering getting a subscription, which is more affordable than buying it in Barnes and Noble every couple of months. One last thing--I loved the science article "Welcome to Pleistocene Park," which contained such fantastic and interesting ideas about ecology and woolly Mammoths I've been mulling it over ever since.

Asimov’s June 2016

Asimov’s June 2016

After reading the Magazine of Science Fiction and Fantasy, as well as listening to podcasts like EscapePod and Podcastle, I decided to try reading Asimov's for the first time with the June 2016 issue. Asimov’s is easy to find at Barnes and Noble, though you can also get copies from Asimov's website or via Amazon. Like most of the scifi/fantasy magazines I've found, it's very affordable, only $4.99 at B&N, and older issues are often available at used bookstore as well.

I enjoyed most of the stories in this issue of Asimov's, and surprisingly, I loved the poetry. I don't usually associate poetry and scifi, but I found the ones here quite interesting, especially Geoffrey Landis' "A Robot Grows Old." Even the short-form poems had vivid images I liked. Among the short stories, Sarah Pinsker's "Clearance" was a fascinating example of slipstream, one that moved between parallel worlds yet felt so grounded in mundane reality that she still managed to tell a powerful story of love and estrangement. I loved Rick Wilbur's "Rambunctious" as well. The relationships between the characters felt beautifully warm and well-developed, and the setting as lush as the Florida Keys themselves.

If I felt that Rivera's "Unreeled" covered similar plot points as many other works of scifi, I do think he did a good job of creating tension and unsettling dread. "Rats Dream of the Future" had a fascinating premise, but somehow the story felt rushed--I think it would have worked better if the main character had delved more deeply into her rival's experiments, perhaps even seen one in action. Instead, it felt like the major plot points occurred "off-camera."

"What We Hold Onto" is this issue's novella, and it was an interesting story. I liked the world the author created and the characters he developed. The idea of "Nomads," the ultimate freelancers, felt fascinating and perhaps even prescient. Yet, for me the story's pacing felt inconsistent, while the author did a good job of making the romance feel passionate, I had a hard time believing the two characters knew each other well enough for the ending to quite make sense. Likewise, "Project Symmetry," the novelette, had a great main character and a good premise, but the ending didn't feel earned--it kind of came out of nowhere. I felt the story could have used more foreshadowing and groundwork before the ultimate confrontation between the main character and her family.

Overall, I'd highly recommend Asimov's to anyone who likes science fiction. The stories were fascinating and unique, and the small size of the magazine made it easy for me to carry it around (even inside my purse) to read whenever I felt like it. The wide variety of stories made each one feel unique and reflected the breadth and depth of modern science fiction writing. I’m going to continue to read more science fiction and fantasy magazines.

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Reading the Witcher--The Last Wish, Sword of Destiny, Blood of Elves, and The Time of Contempt

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I'm a huge fan of the video game The Witcher 3: Wild Hunt --it's got great game play and an excellent story. I enjoyed the game so much that after my first play through (I'm on my second right now), I decided to try reading the books that inspired the game, as well as a new Netflix series with Henry Cavill. The Witcher books were written by Andrzej Sapkowski, a Polish author who's considered the Tolkien of Poland. He's had a huge influence on fantasy in Poland, and it's clear why--the books are fun to read, with compelling characters and great, if episodic, storytelling.

The first Witcher book, The Last Wish: Introducing The Witcher, is a collection of short stories linked by the main character, Geralt. Many of them are extremely dark, heart-rending re-tellings of fairy tales, including a brutal version of Snow White, but some of the stories, especially “The Last Wish” story the collection is named after, are hilariously funny. Anyone who’s played the games knows that for the the pathos and tragedy that surrounds his life, Geralt can still get into some screamingly funny misadventures! The book tells about many of the key moments of Geralt's early life, including his first meeting with Yennefer and how he invoked the Law of Surprise to become Ciri's eventual guardian. While some of the language in translation is a bit clunky, the characters and stories in the book make it a compelling read, especially for anyone who loved the game.

The next book is in the Witcher series is another collection of short stories, The Sword of Destiny. I ended up loving this collection almost as much as The Last Wish. It explores Geralt and Yennefer’s relationship further, in particular how their inability to have a child together despite Yennefer’s desperate yearning complicates their relationship. To me, the stories in The Sword of Destiny are ultimately about family and love (though with plenty of monsters, dragons, infidelity, and dryads along the way). Geralt was bereft of a family from a young age, having been abandoned by his sorceress mother with the Witchers. Yennefer also is bereft of a family, and her and Geralt’s infertility make it impossible for them to form their own in a typical way. They dance around each other, in love and sadness. Likewise, Geralt meets Ciri for the first time, but her formidable grandmother, the Lioness of Cintra, makes it clear that despite the Law of Surprise, she won’t let him take her.

But destiny is a twisting and complicated road, though as Geralt notes, destiny by itself requires something more. And in the haunting and heartrending final, it’s clear what that is—love. This is another book I’d highly recommend—it might be my favorite of the Witcher books, though I also loved The Last Wish. so it’s hard to pick a definitive favorite. While you don’t necessarily need to read The Last Wish to appreciate The Sword of Destiny, it might help to establish the relationships with the characters.

The next book in the series, Blood of Elves, is more of a cohesive novel, but since it tells its story from multiple perspectives it's still a bit episodic. Nonetheless, it tells an excellent story and as usual, the characters are one of the best parts. Geralt seems like the strong, silent type, but Sapkowski gives him a depth and mystery that make him compelling even when he's understated. And Yennefer develops into a complex, intriguing woman with a subtle intelligence. If you don't understand why Geralt is so in love with her after playing the games, this book shows why. Sapkowski draws a complicated web of relationships between Geralt, Yennefer, Ciri and Triss, creating both understanding and mystery.

The Time of Contempt is the second novel and the fourth book in Adrzej Sapkowski's series of books on the Witcher. I really enjoyed the first two books, and this one did not disappoint. The story focuses as much on Ciri as it does on Geralt, but both their stories are exciting and interesting. What's more, for a book with plenty of action, the story is surprisingly philosophical at times. Geralt tries to do what he thinks is best to protect Ciri and do the right thing. Yet, time and again Sapkowski shows how tricky it is to determine the "right" path in a complex, morally ambiguous world. The haunting tragedy of war, and the terrible choices that people make when confronted by devastating circumstances become a running theme.

I loved the characterizations of Geralt and Yennefer--their relationship has complexity and depth, and the reader ends up sympathetic to both characters even when they seem opposed to each other. Their touching love for Ciri shines through their actions, even when they disagree about what's best for her. Even Dandelion becomes a fascinating character, one with more complicated connections than you might think. What's more, Dandelion's "translations" of Geralt and Yennefer's discussions is both touching and hilarious.

For those of you who love the games, this book gives quite a bit of backstory on characters like Phillippa Eilhart and Dijkstra. It also reveals the origins of the political strife and warfare from the games.

I'd recommend these books to anyone who enjoys fantasy, the Witcher games, or is excited to see the new Netiflix series with Henry Cavill. Reading these books had deepened my appreciation for the game, yet they are excellent reads even if you don't ever play The Witcher 3: Wild Hunt . They have a world as deep and fully realized as anything in Tolkien or George R.R. Martin, and rich, intriguing characters.

Review: The Green Man: Tales from the Mythic Forest

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The Green Man: Tales from the Mythic Forest is collection of fantasy short stories and poems that I found at the library. It was edited by Ellen Datlow and Terri Windling, the same duo who had edited another book I enjoyed, Black Swan, White Raven, so I decided to check it out. I loved the theme of the book, and since I just returned from a trip to the Redwood Forest, it felt like the right book for me to read. I'm glad I did, because while I didn't love all the stories, many of them were haunting and unique, and I'm looking forward to reading more from those authors.

Some of my favorite stories were "Grand Central Park," by Delia Sherman, "A World Painted by Birds" by Katherine Vaz, and "Joshua Tree" by Emma Bull. These stories captured the theme in beautifully imaginative ways, but each one was as different from the others as water from fire. In particular, I loved the coming-of-age theme in "Grand Central Park," as well as the heroine's kindness and generosity even as she "wins." Vaz's story is as gorgeous and lush as a canvas, yet as sorrowful and haunting as a poem by Frederico Garcia Lorca. I loved her imagery, and how the worst characters had some humanity in them, even the selfish General's Wife. In contrast, Bull's "Joshua Tree" was spare and understated, yet the germs of hope and freedom her main character discovers in the desert felt as tough as the trees in her title. It was a reminder that there's a beauty even in harsh, hard-to-survive environments, like high school and the desert.

Other notable stories included "Fee, Fie, Foe, et Cetera" by Gregory Maguire, "Remnants" by Kathe Koja, and "The Pagodas of Ciboure" by M. Shayne Bell. I loved Maguire's matter-of-fact take on fairy tales, where Jack has to contend with taxes and bureaucracy as much as a giant. Koja's "Remnants" on the other hand, had one of the darkest takes on the theme in the anthology. The forest of trash is both a refuge and perhaps a trap for the main character, who seems both magical and deeply disturbed. The dark secrets she uses the forest to conceal lurk beneath her supposedly sunny outlook, and the enemies she fears might be people trying to help her, if perhaps ineffectually. It's a story that definitely sticks in your mind, and raises uncomfortable questions about society and the "trash" we throw away. In contrast, "The Pagodas of Ciboure" is a charming, lovely story about the imagined childhood of one of my favorite composers, Maurice Ravel. I loved, loved, loved the pagodas, which are not Chinese temples but a type of French fairy creature made of porcelain, jewels, and crystal. The lovely little creatures and their relationship with a kind but sickly boy made this story one of the most enjoyable to read.

Overall, I'd highly recommend this book to anyone interested in fantasy stories. Like many anthologies, there's such a wide variety of voices and approaches to the theme that it's easy to find stories to love.

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Review: Fractalistic by Gerardo Delgadillo

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Gerardo Delgadillo and I were in a writing group together for several years, so when he sent me an ARC of his latest book, Fractalistc, I was excited to read it. I’m glad I did, because Fractalistic is a fascinating book—part scifi, part bildungsroman, part romance, with a lovely dash of Mexican culture that makes the setting vivid and interesting.

After moving to Mexico with her parents, Winter Gutan had been hoping the local alternative medicine doctor would cure her mother’s illness. When her mother does not survive his controversial treatments, Winter’s life spirals in despair.

In particular, I loved Fractalistic’s colorful and engaging cast of characters. Winter, the main character, has all the intensity and passion of a traumatized and confused teenager, in a good way. She’s deeply flawed and makes mistakes, but she’s also kind. I know that this is a small part of the book, but I loved Winter’s kindness to animals, including the dog she decides to adopt, and her sweetness to a crying child at one point in the story. Winter’s friends (or the classmates from her school who become her friends) are just as interesting, and have complex lives of their own. Even her love interest, Rafa, turns out to be way more than the hunky soccer player he seems at first. Meanwhile, grief and pain threaten to overwhelm Winter’s father, and the depictions of his drinking and descent into misery felt as vivid and painful as a fresh cut.

I thought the plot was also engaging, and it kept me guessing about people’s motives and their secrets through most of the book. Winter is distrustful, and with good reason, since many of the people close to her aren’t being very honest.

Overall, I really loved this book! The author’s depictions of Mexico are so real you can practically taste the churros, and I found myself wanting to attend a Mexican soccer game more than I’d ever have expected. I loved the characters and their relationships, and the story kept me guessing. I’d recommend it to anyone interested in YA, light scifi, or light, sweet romance. Fractalistic is available for preorder now, and comes out July 9, 2019!

Review: On Becoming a Novelist

I picked up John Gardner's On Becoming a Novelist the last time I went to the library. Unlike most books on writing, this one doesn't try to teach you how to write, or offer any definitive ideas on the creative process. Instead, it reads like a thoughtful meditation on the nature of creativity, inspiration, and the writing process. Amidst the plethora of advice targeted at writers today, this book is notable for its lack of definitive advice beyond, "do what works for you," and "don't quit." I found that one of its most endearing qualities.

Gardner, a brilliant novelist and creative writing teacher, begins by noting that few, if any, writing teachers can tell which students will ultimately become successful writers. He considers the difficulty of the task of evaluating a youthful writer, especially considering how much success ultimately depends on a writer's dedication to the craft ad refusal to give up or withdraw. He offers a critique of the most common methods of teaching writing and the inane, repetitive, and often destructive advice heaped on young writers. For example, the "write what you know" trope that so many creative writing teachers push ignores the fact that fiction is based on the imagination. While it's true that characters and settings need to feel vivid and real, writers can use their imagination and their sense of empathy to create whole new worlds and populate them with unique characters. Rather than "write what you know," Gardner advocates writing honestly and avoiding overly optimistic ("Pollyanna") or overly cynical cliches. He reflects that all great art is about finding and sharing truth, and we make poor artists when we can't see or understand what's true about human nature.


Gardner is at his best when he tries to capture those elusive and brilliant moments of creative flight that all artists have in their best work. Indeed, the writing process he describes is about capturing those dreams as closely as possible, then meticulously going back over the work to make sure it communicates the writer's intention. I loved his description of the vivid, creative dream-like state of creative inspiration--it comes closest to the feeling I get when I know what I'm writing is good, or when I'm playing music and everything just falls into place.

I'd recommend this book to anyone who needs an antidote to all the writing advice that gets heaped on you the second you start talking about writing. Gardner notes that there are many kinds of writers, and everyone of them has a different process. What matters is that you work to perfect your craft, keep yourself honest, and hone your sense of observation.

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Book Review: G.M. Nair's Duckett & Dyer: Dicks for Hire

I picked up a copy of G.M. Nair’s Duckett & Dyer: Dicks for Hire because I met him on Twitter, and he seemed very funny! Also, I happen to love scifi/fantasy comedies like Douglas Adams’ Hitchhiker’s Guide to the Galaxy and anything by Terry Pratchett, so I was excited to read one by a new author. I’m so glad I did, because Nair’s book is a joy to read. It’s funny, but it also has moments of great drama and pathos, and I loved the characters.

It took Michael and Stephanie nearly an hour of walking before they spotted a lone cab searching the edge of suburbia for a fare like a grandparent canvassing a toy store for a "Nintendo Playstation."

Michael Duckett and Stephanie Dyer seem at first like the most hilariously awkward/incompetent duo to ever fumble their way through a cosmos spanning mystery. But one of the things I loved about the book was how they grew and developed as the story progressed. They both come to reevaluate their lives and their friendship in meaningful ways, Even side characters, ones we barely meet, seem to grow over the course of the book. What’s more, while the story has plenty of moments of zany comedy, there are moments of poignancy and depth that I loved. As the book progressed, Nair gave both Duckett & Dyer a level of self-awareness that lead to some very thoughtful, sweet moments.

Overall, I really loved this book. If I had any criticism, it’s that the set up was a little long, but the payoff was so great it was totally worth it. Like the best comedies, it has a kind and compassionate heart, and like the best scifi, it has a fascinating and engaging world. I can only hope that G.M. Nair is working on a sequel, because I can’t wait to read what happens next!

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