Mythology

How Irish Legends Inspired a Sci-fi Trilogy about Getting Younger: Guest Post by Byddi Lee

As I was growing up, the  Irish legends that captured my imagination most were not the daring-does of Cuchulainn – The Hound of Ulster nor the stories of Macha – the queen who gave her name to my home town Armagh. In fact, the ancient warriors and royalty didn’t interest me at all, but those stories that involved distorted ageing and extended longevity did. It was an indulgence of sorts to weave the essence of these stories into The Rejuvenation Trilogy

Rejuvenation is set in a dystopian future. There are matter streamers to provide food, hovercrafts for transportation, and carebots to tend to the frail. Against this backdrop of technology, we see a society that is top-heavy with an aged population. People still yearn to be and stay young.

The Irish fairy tales have stood the test of time and inspire the children of that era, such as our main characters, Bobbie and Gracie, fraternal twins. Gracie suffers from a rapid ageing disease called Progeria and is particularly drawn to the stories of  Tír na nÓg, the Land of the Forever Young that’s far across the waves and can only be reached by a magic horse as she explains to Bobbie…

‘“I’m no angel,” Gracie said, grinning. “I’m one of the little people, a leprechaun! And I’m going to escape to Tír na nÓg.”

“To where?” Bobbie asked.

“The land of everlasting youth. Everyone is beautiful and young there, and when I go there, I’ll look just like you,” Gracie said. “But with black hair, like Daddy.” 

“How do you know all this?”

“I read about it on the Internet.”

“Can I come?” Bobbie couldn’t imagine being anywhere without Gracie.

“Yes, but you’ll have to wait until when you’re old. Like me.” Gracie’s fuchsia pink dress reflected off her skin, giving her bare, veined scalp an ethereal glow.

“But you’re only nine. We’re the same age.”

“Yes, but I’m the one who’s a fairy, remember? I’ll watch over you from Tír na nÓg. Time passes slower there than it does in Armagh, so it will only feel like ten minutes to me before you’re there, too.”’

Excerpt from Rejuvenation Book 1

The Children of Lir is another example of a legend that tells of excessive ageing and longevity. Lir’s children are turned into swans by their stepmother and sent into exile for three hundred years. They returned to their home in Ireland and resumed human form – as three-hundred-year-old humans – then they died. I’m grossly paraphrasing, but nonetheless, it’s a tragic tale. 

We find out early in Rejuvenation Book 1 that Gracie died at the age of 13 from her condition. Her death left a lasting effect on her twin sister Bobbie who, feeling she had acquired a special understanding of ageing because of Gracie, went on to become a geriatrician. In Rejuvenation Book 2, Bobbie uses the fairy tale of the Children of Lir to try to make sense of ageing and death in the real world, a challenge for her since she sees both daily in her job.

Other Irish fairy tales hold more promise, like the one about Fionn Mc Cool being tricked by the old witch, the Calliagh Berra on top of Slieve Gullion, the highest mountain in County Armagh. As the story goes, one day Fionn found a young woman crying by the lake at the top of the mountain. When he asked her why she said she’d dropped her gold ring into the lake. Being the hero he was, he jumped in after it. But the girl was the old witch who was jealous of her sister for being in love with Fionn. The witch had put a spell on the lake so that when Fionn came out, he had aged to become a withered old man with white hair. But Fionn’s followers made the witch reverse the spell, and he became young again. 

The Rejuvenation Trilogy is all about regaining lost youth and its consequences. Bobbie’s most elderly patients contract a strange disease which proves fatal to some but others, including her Granny, survive and become younger, fitter and psychopathic!

I was drawn to the idea that eternal youth wasn’t exactly the be-all and end-all and wanted to explore the gifts that come with age. In a society that values the beauty of youth, that’s quite a challenge, but even the Irish legends will have us realise that the beauty of youth is only skin deep as in the story of Oisin, Fionn Mc Cool’s son.

As the story goes, Oisín falls in love with Niamh, a woman of the Otherworld. She takes him across the waves on a magic horse to Tír na nÓg. After what feels like three years to Oisín, he becomes homesick and wants to return to Ireland. Niamh warns him to stay on the magic horse and never to touch the ground. But when Oisín returns, he discovers that 300 years have passed in Ireland. He falls from the horse and instantly ages. As the years catch up with him, he quickly dies.

In Rejuvenation Book 1 this same legend is reflected in several instances of age catching up quickly on a youthful body and although this legend is not actually recounted, it forms the basis of some of Bobbie’s nightmares.

‘By the time Death carried Gracie to Tír na nÓg four years later, Bobbie had read scores of legends about the Land of the Forever Young. Alone in the bedroom, Bobbie had once shared with Gracie, she’d jolt awake after dreaming of her twin sister returning for her on a white horse, young and beautiful, her black hair billowing out behind her. Bobbie would reach for Gracie, but as their hands touched, Gracie’s hair would turn white, her skin would wrinkle, her body crumple as she died all over again from old age.’

Excerpt from Rejuvenation Book 1

I think ultimately the idea of folding the old fairly tales into a high-tech dystopian future is a metaphor for life – we can’t forge ahead and embrace the new and the vivacious unless we can carry with us and learn from the stories and wisdom from years gone by. 

Cover of Byddi Lee’s Rejuvenation

Cover of Byddi Lee’s Rejuvenation

About Rejuvenation by Byddi Lee

Synopsis:

The Melter War has left the Earth’s surface devastated, leaving humanity to survive on what little land is left between the Scorch Zones and the rising oceans, where towering scubscrapers dot the dystopian shorelines.

Bobbie Chan is a doctor caring for the ultra-elderly in one such subscraper when she notices a mysterious, new disease afflicting her patients; some show signs of age reversal before a catastrophic, and often fatal, cardiac arrest strikes.

Bobbie begins to wonder if she is witnessing a bio weapon in full force. A Melter attack? Are they destined to finish the war they started?

Bobbie begins a race against time to rescue the Rejuvenees and uncover their true enemy

Picture of Byddi Lee, author of Rejuvenation

Picture of Byddi Lee, author of Rejuvenation

More about Byddi Lee, author of Rejuvenation

Byddi Lee grew up in Armagh and moved to Belfast to study at Queen’s University. She has since lived in South Africa, Canada, California and Paris before returning to live in her hometown, Armagh.

Her Rejuvenation Trilogy, is published by Castrum Press and Rejuvenation Book One, Book Two and Book Three all available now. Book One is also out in audiobook.

She has published flash fiction, short stories and, in 2014, her novel, March to November.  Byddi has also co-written the play IMPACT – Armagh’s Train Disaster with Malachi Kelly and Tim Hanna. IMPACT was directed by Margey Quinn and staged by the Armagh Theatre Group in the Abbey Lane Theatre June 2019.

During the COVID 19 pandemic when all theatres were closed, Byddi teamed up with Malachi and Tim to write Zoomeo & Juliet and Social Bubble Toil & Trouble suitable for live performance delivered through Zoom, produced by Margery Quinn and performed by the Armagh Theatre Group.

Byddi is a co-founder of the spoken word event Flash Fiction Armagh and is co-editor of The Bramley – An Anthology of Flash Fiction Armagh.

Author Links

Book links: Rejuvenation, Rejuvenation 2, and Rejuvenation 3

Social Media: Newsletter, Facebook, and Twitter

Website: https://www.byddilee.com/

Xanthuss Marduk, the Sorcerer of Tea, Discusses Mythology and Worldbuilding!

How to Use Mythology to Worldbuild

I recently wrote a post about how to create better mythology for your world. If you’ve read that, or you’re already confident creating myths then this is the next step - using myths to worldbuild.

Using myths as a vehicle for worldbuilding is something I love to do. I often write a creation myth before anything else in my world. But how do we do this?

Remember, Myths were Once a Religion

If you’re writing myths that people still believe in, think of it as a religion. The primary difference is that classical myths were not codified like modern translations of the Bible are today. There was no single version, and many were recited by entertainers and not written down.

The myths we read today were once working religions. It is important to remember this. Much like the Bible, people truly believed in these stories and followed them. Using them to set their morals by, and understand the world.

If you’re writing myths that have no followers left, think about their impact when they did have followers.

Use Myths to Set the Tone of your Setting

Myths are an important way to colour your setting. For both your characters and your reader, they give context to history and natural laws. If all the heroes die, it sets a darker tone than a myth or legend where the heroine gets the girl.

The god of the moon, Gywndolin, from Dark Souls.

The god of the moon, Gywndolin, from Dark Souls.

Dark Souls tells the bulk of its lore through fragments of stories, many of which are merely legends and myths. They tell of a grander era than the one the player explores. A golden age of gods. That contradiction immediately tells us what is going on. Dark Souls is a story about the world slowly fading. Through each game, the myths get warped and we hear less and less about them. The facts start to give way to rumour.

If you instead decide to set a bright and heroic tone, your myths may always see the heroes win, and the gods will hand down the details of these events in perfect clarity.

Mix Politics and Mythology

Politics plays a surprising role in mythology. Many myths are promoted or rewritten to promote royal families or noble lineages who claim heroic ancestry. Cities are named after mythological figures. And oracles become the tools of politics.

The Oracle of Delphi was often a central player in the politics of the Greek city states, and for the right amount of gold, you might get a prophecy that’d cement your legacy. Whether or not the Oracle really spoke to Apollo was less important than the fact that the average person believed she did.

Marble busts of Hadrian and Antinous. Photo by Carole Raddato.

Marble busts of Hadrian and Antinous. Photo by Carole Raddato.

Another example. The death of Antinous, the lover of the Roman emperor Hadrian, led him to deify his love. Though it may have been solely because of his grief, creating a cult of worshippers loyal to his lover gave Hadrian political clout in Egypt. In the following centuries, the cult of Antinous became a political hot potato. Everyone from Christians to the Sibylline oracles criticized the legend of Antinous, often as a vehicle to attack Hadrian’s legacy itself. In the fight between Christians and Pagans, Antinous was used as a central figure and medals were issued with his face as anti-Christian propaganda. Christians responded by destroying statues of the god, and in 391 banned his worship entirely.

Think about how your world’s queens and lords have used myths to support their own rule or undermine their enemies. Do they claim descent from a god? Have they compared their enemy to a heartless villain? Have they proclaimed their favored historical figures demigods?

Consider Why the Myth was Popular

Who did your myths appeal to? The rich, the poor, the marginalized, the ruling class?

Farmers might hold agricultural myths close to heart, and these myths might hold important wisdom farmers need to know - like the order of the seasons or movement of the weather. The cult of Dionysus was popularized because it justified the excess of the Athenian elite, and parties under the pretense of worship were a great tool to make allies.

Today, LGBTQ people have adopted many myths like Tu Shen and Antinous into their own religious practices. They do this because they seek out representation like themselves, and find it in these ancient stories.

So what do the people of your world see in your myths that appeals to them?

Find out more about the Sorcerer of Tea:

website

Patreon

Pinterest

Tumblr

Twitter

Thank you for your insights, Xanthuss! I personally love coming up with mythology that’s unique to my worlds, or else using existing mythology in a new and interesting way.