One of the great things about having a nice long Christmas break is that I finally get the time to read through all the books I’ve steadily accumulated over the year. This Christmas, in part because Covid has kept us from going out or doing many parties/activities/concerts, I have read a lot of books!
One I read recently is Black Thorn, White Rose, a collection of fairytale retellings edited by Ellen Datlow and Terri Windling. I’d read a couple of other books in their collections of retellings (The Green Man: Tales from the Mythic Forest and Black Swan, White Raven) quite a while ago, and I was interested to read more. Black Thorn, White Rose is the second book. Like other books, I didn’t love every story, but most of the stories were entertaining and fun to read, and a couple were brilliant little gems. I loved Godson by Roger Zelazney, Tattercoats by Midori Snyder, and The Black Swan by Susan Wade. Godson is a dark and clever tale with plenty of funny little twists to keep it interesting. Tattercoats is a sweet and touching story about a married woman reconnecting to her husband by exploring her dark, mysterious, and wild side. I loved that this story shows that even a happy marriage takes work, and that sometimes exploring and freeing ourselves is the best way to connect with another person. The Black Swan is something of the opposite of Tattercoats—it’s more of a haunting fable about the consequences of someone molding themselves to shape the desires of the people around them, and maybe about the subtle and heart breaking consequences of not recognizing that a true love would never want a change like that.
Cover of Black Thorn, White Rose
The only story I could not get into was The Sawing Boys by Howard Waldrop, which had maybe just too much dialect and too many characters with complicated names. I got confused and skipped over it.
I also had mixed feelings about Peter Straub’s Ashputtle. It was a very intense and horrifying story, but some of the madness and violence felt like it came out of nowhere. I could quite grasp the main character’s intense hatred of her stepmother or the child in her care, and some of the rest of the story felt too bizarre to really make sense. It did, however, have some visceral and powerful imagery.
There were also several stories I enjoyed, including Stronger Than Time, Words Like Pale Stones, Ogre, and The Brown Bear of Norway. Both Stronger Than Time and Words Like Pale Stones were haunting tales, while Ogre was a charming comedy about community theater. The Brown Bear of Norway was a strange and sweet romance about adolescence and change.
Overall, like their other collections, I’d recommend Black Thorn, White Rose to anyone who enjoys fairytales and fantasy short stories. It’s fun and quick to read, and I always love seeing a creative spin on beloved stories.
